{"id":738,"date":"2026-03-07T17:55:45","date_gmt":"2026-03-07T17:55:45","guid":{"rendered":"http:\/\/www.r-prins.com\/?page_id=738"},"modified":"2026-03-07T17:59:42","modified_gmt":"2026-03-07T17:59:42","slug":"books","status":"publish","type":"page","link":"http:\/\/www.r-prins.com\/?page_id=738","title":{"rendered":"Books"},"content":{"rendered":"\n

They Are<\/em> Us<\/em><\/strong>\u00a0<\/em><\/a>by Katama Mkangi (University of Georgia Press 2027); received 2024 PEN\/Heim Translation Fund Grant and 2025 National Endowment For the Arts Translation Fellowship<\/p>\n\n\n\n

A science fiction critique of a corrupt, despotic, crony-capitalist society written by a former Kenyan political prisoner<\/em><\/p>\n\n\n\n

First published in Swahili as Walenisi <\/em>in 1995, They Are Us <\/em>is an Africanfuturist take on Kenyan politics from real-life political prisoner Katama Mkangi.

It begins with a death sentence for Dzombo\u2014but not in the traditional sense. Instead of firing squad or hanging, Dzombo is shoved into a rocket and blasted into the sky for \u201ctalking too much.\u201d While Dzombo assumes that he will explode like all the other political prisoners sentenced to the same fate, he instead pilots the vessel of death through an asteroid belt of allegorical maladies, such as the \u201cRock of Ignorance,\u201d and crash-lands on the utopian planet Walenisi.

Faced with remarkable technological advancement and egalitarian prosperity, Dzombo is convinced he has arrived in Heaven. His hosts, however, believe that Dzombo himself is an emissary from Heaven. What follows is a journey, farce, romance, cross-cultural encounter, and self-discovery.<\/p>\n\n\n\n

Brain Flavour: A Lyric History of Swahili Hip Hop<\/strong><\/a>\u00a0<\/em>(No University Press 2026)<\/p>\n\n\n\n

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A road movie of a run through Tanzanian rap\u00a0in the second person, a riff on the possible\u00a0punctum(s) of 21st-century East African\u00a0popular song, a telefoto lens on a local music\u00a0industry, an exploded documentary study of\u00a0a cultural anadiplosis, a love letter to the artists\u00a0and musicians of Swahili Hip-Hop on the brink\u00a0of our millennium and beyond.<\/p>\n\n\n\n

We Are Still in the Fort<\/a>\u00a0<\/strong><\/em>by Muyaka bin Haji al-Ghassaniy (Vanderbilt University Press 2026)<\/p>\n\n\n\n

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“How refreshing to see one of the major Kiswahili poets of the nineteenth century being given a new breath of life and being ‘resurrected’ for the English reading public! By beautifully translating some of Muyaka\u2019s poems, with introductory notes for each of the three sections, Richard Prins has done a great service to the better understanding of Muyaka\u2019s verse and further popularization of Kiswahili poetry in general.”<\/p>\n\n\n\n

\u2014 Abdilatif Abdalla<\/strong>, author of Voice of Agony<\/em><\/p>\n\n\n\n

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Chapbook<\/strong><\/p>\n\n\n\n

We May Eat Fruit<\/a> <\/strong><\/em>(Ghostbird Press 2025), winner of 2025 Birdhouse Prize<\/p>\n\n\n\n

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We May Eat Fruit<\/em> is a daring and lyrical exploration of power, language, and myth, weaving biblical echoes with contemporary voices to challenge authority and unravel the narratives that shape our world. Richard Prins crafts a mosaic of poetic fragments, legal texts, and cultural allusions, inviting readers into a thought-provoking conversation on justice, gender, and the weight of history. Bold, unsettling, and deeply resonant, this book pulses with urgency and wit, offering a revelatory reading experience that lingers long after the final page.<\/p>\n\n\n\n

Anthologies<\/strong><\/p>\n\n\n\n

“Night Meal” by Lusajo Mwaikenda Israel in I Was Alive Here Once: Ghost Stories<\/a> <\/em>(Two Lines Press 2026)<\/p>\n\n\n\n

“Because: An Etiology” in The Best American Essays 2024\u00a0<\/em>(Mariner Press 2025)<\/p>\n\n\n\n

“A Neighbor’s Pot” by Lusajo Mwaikenda Israel and chapter one of Walenisi <\/em>by Katama Mkangi in No Edges: Swahili Stories <\/em><\/a>(Two Lines Press 2023)<\/p>\n","protected":false},"excerpt":{"rendered":"

They Are Us\u00a0by Katama Mkangi (University of Georgia Press 2027); received 2024 PEN\/Heim Translation Fund Grant and 2025 National Endowment For the Arts Translation Fellowship A science fiction critique of a corrupt, despotic, crony-capitalist society written by a former Kenyan political prisoner First published in Swahili as Walenisi in 1995, They Are Us is an Africanfuturist take on Kenyan […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-738","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.r-prins.com\/index.php?rest_route=\/wp\/v2\/pages\/738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.r-prins.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.r-prins.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.r-prins.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.r-prins.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=738"}],"version-history":[{"count":2,"href":"http:\/\/www.r-prins.com\/index.php?rest_route=\/wp\/v2\/pages\/738\/revisions"}],"predecessor-version":[{"id":744,"href":"http:\/\/www.r-prins.com\/index.php?rest_route=\/wp\/v2\/pages\/738\/revisions\/744"}],"wp:attachment":[{"href":"http:\/\/www.r-prins.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}