On my last day in Dar es Salaam, while convalescing from a mild case of food poisoning, I recorded this song, shot this music video, and made it to the airport on time. (Now I am back in New York, where I will feel accomplished if I remember to wake up from my afternoon nap). This is my first foray into singeli music, a sped-up spinoff of mchiriku music, which is itself a modern take on the traditional music of the Zaramo people indigenous to the region of Dar es Salaam. I think it’s the hottest stuff coming out of East Africa right now – in fact my daughter can instantly discern an mchiriku beat as “Daddy’s work music” since I rarely listen to anything else while trying to make myself write. If you find yourself digging its frenetic melodies, there are many artists far less gimmicky than myself you should check out!
I just got back from a brief trip to Dar es Salaam, where I was fortunate enough to record two new songs with my frequent collaborator Sloter, from the famed Swahili hip-hop duo LWP Majitu. Here is the video for “Poa”:
We launched the song during an interview on TBC, the national radio broadcast, an excerpt of which can be viewed here:
Recently, I have been devoting the majority of my creative energies towards translating Swahili poetry. The Swahili language is host to a rich poetic tradition dating back to at least the 17th century, but it is rarely translated (and even more rarely translated for literary appreciation rather than academic purposes). My first published translations in nearly a decade just appeared in the spring issue of Exchanges: Journal of Literary Translation, specifically the poems and songs “Cassava From Jang’ombe” by Siti Binti Saad, “Amina” by Shaaban Robert, “It’s No Big Deal To Catch Fish” and “You Might Walk On Land, Hippo” by Muyaka bin Haji al-Ghassaniy, “My Old Dowry Chest” by Abd ai-Rahim Sai’d Muhammad Ba Salim, and “[O tapper of palm wine]” and “The Song of the Trees” by unknown authors. You can also read a note I wrote about the translations.
I also have a pair of translations appearing at the end of the month in Los Angeles Review, one poem by the great 19th century Mombasan poet Muyaka bin Haji al-Ghassaniy (1776 – 1840) and another by the 20th century Tanzanian poet Mathias E. Mnyampala (1917 – 1969). And in the fall I will begin my MFA in literary translation at Queens College. While embarking on a second MFA might make me sound like some sort of walking parody in a hipster sitcom, I am nevertheless very gratified to be doing what I can to bring these works to the attention of English readers.
And while you are reading my translation of this song, do enjoy the legendary Bi Kidude singing “Muhogo wa Jang’ombe”. It was getting this chorus stuck in my head six months ago that kickstarted my recent flurry of translation. At the time this video was recorded, she was the oldest living performer the world.
Yesterday, my poem “God I need your face in mine” was featured at Pandemic Publications, and a few weeks ago “Fear Music” appeared in the latest issue of Inflectionist Review. And over at Yemassee, my essay “Ten Days To Hold You” is a Monthly Spotlight.
Additionally, I received the news that my essay “Down and Up in Dar es Salaam”, which was published last year in Witness Magazine, has been listed as “Notable Travel Writing” in the collection Notable Travel Writing of 2020. It’s always gratifying when someone out there in Editor Land finds one of my little misadventures “notable”!
Eek – it’s been a couple years since I posted anything here. To rectify that, I would like to point your attention to two new essays of mine that were published by Terrain.org over the last few weeks – the first, “Teach Me How To Fight” about gentrification and segregation in Brooklyn as my daughter experienced it when she was two years old (I also have a piece in the newest issue of Rattle called “Arrest This Poem” that features very similar language, just with line breaks; it should be online sometime in the spring.)
The second essay, as part of their “Letter To America” series, is about my time growing up in Michael Bloomberg’s New York. I hope that going live the day before Super Tuesday will allow me to take credit when his campaign fizzles out at the polls tomorrow.
You can view some other new work by clicking the “Poems” or “Prose” tabs above; I do update those pages more frequently than every two years.
My poem “Bless Me Editor” from Rattle’s previous print issue went up on their website today, including a somewhat manic audio recording. I think it’s a wild ride through my psyche, and I hope you enjoy it!
Another music video from my latest trip to Dar es Salaam. This one is a collaboration with my friends Man Dili and Melali Juma in the mchiriku style endemic to Dar and its surrounding areas. It’s called “Harakati” (meaning “Movement” or “Activism”). I hope you enjoy!
I just got back from Dar es Salaam, and have the music video for my latest Swahili hip-hop collaboration ready for your enjoyment, featuring Sloter from the old-school duo LWP and introducing Kemy. Thanks to Mubbyzow for producing and Shakka for directing.
This website mostly serves as an archive of my publications for the handful of people out there who might stumble across a poem of mine and be curious enough to google me. As such, my posts here are rote, sporadic, and often unenthusiastic links to those publications that happen to appear online. But last week, along with dozens of activists from the direct action group Rise and Resist, I participated in a pro-immigration civil disobedience action that I thought I would share. In the lobby of Trump Tower, we dropped three banners stating, respectively, “NO BAN” “NO WALL” and “NO RAIDS”. Trump Security proceeded to shut down the public atrium of Trump Tower for a couple hours while the NYPD went about arresting all 25 of us who remained (with our voices very hoarse from chanting). I feel very gratified to have put my body on the line and done my small part to take a public stand against this administration on the very day our president dropped the so-called “mother of all bombs” on Afghanistan (which I did not find out about until I was released from the ninth precinct around 10pm). You can read more about the action (and see footage of me getting dragged out of the lobby with a very unbecoming grin on my face) here.
My latest villanelle “Love in the Time of Trump” is up at The Rise Up Review. Enjoy!